摘要
七言律诗,自萌芽至成熟,经历了一个漫长的发展阶段.我国古代占正统地位的诗歌体裁最早是四言.从西周到春秋,诗歌都以四言为主.《诗三百》是整个诗歌史上四言诗成就的最高体现.随着时代的发展,四言诗已不能反映复杂的社会生活,正统诗体的位置逐渐为五言诗所代替.五言诗虽只比四言诗多一字,但在音节和词汇的组合上都较四言诗有更大的伸缩余地和表现力,它的出现是诗歌史上具有重大意义的变革.五言诗兴起于汉代.汉乐府民歌和东汉文人五言创作都反映了它的成就.建安至晋,五言诗在题材内容方面扩大,描写手法更加细腻圆熟,齐梁时声律学的发展又促进五言向格律方面演进。
Based on a brief survey of the development of 'Qi Lü' poetry between early
Tang Dynasty and mid-Tang period, this article stresses the great achievements of
Du Fu in the motifs, content, images, structural designs, and metrical forms of his
'Qi Lü' creation. The author points out that Du Fu's 'Qi Lü' poems culminate the
development of this particular literary genre. His poetic creation has opened a new
era in the development of 'Qi Lü' art.
出处
《北京大学学报(哲学社会科学版)》
CSSCI
北大核心
1991年第3期95-105,130,共12页
Journal of Peking University(Philosophy and Social Sciences)