摘要
绘画题跋的审美具体表现在文学性和绘画性两方面。二者在艺术创作中因画家个体的选择不同呈现出不同面貌,但审美本质是共通的。中国绘画与文学都是直指心性的,诗文绘画之间密切结合并行发展。诗文外化为画面题跋形式过程中传统的哲学美学观念起到重要作用。
The aesthetic of prefaces and postscripts in paintings is manifested in two aspects---literariness and painting.Poetry and painting have their respective advantages.There do exist different outlooks for different painters,but they shared the identical aesthetic essence.Chinese paintings and literatures are directed at the nature of human mind,poetry and painting are well combined with parallel development.In traditional philosophy,some aesthetic concepts influences upon the formulation of prefaces and postscripts in paintings.
出处
《南昌教育学院学报》
2012年第5期33-,35,共2页
Journal of Nanchang College of Education
关键词
绘画题跋
意象
审美
prefaces and postscripts in painting
image
aesthetic