摘要
马致远之《汉宫秋》和白朴之《梧桐雨》是元代剧坛上的两颗璀璨明珠,两者均以浓郁的抒情性和悲美意味成为元人笔下的汉唐悲歌。目前学界不乏对两者的比较研究,但就两剧最突出的共同点——抒情性尚缺少充分关注。对两者抒情性——借古人寄托个体情感、倾泻式抒情的运用以及景物设置对抒情的促进三个方面的研究可以在一定程度上为两剧的比较分析提供新的切入点。
Ma Zhi-yuan's Autumn in the Han Palace and Bai Pu's Rain on the Plane Tree are two bright stars in the Yuan dynasty dramatic world. Both of them become the elegy of Han and Tang dynasty described by Yuan literati by virtue of rich lyricism and the beauty of tragedy. Currently there is no lack of comparative study for them in academia, but the two plays' most prominent feature in common-lyricism hasn't been fully concerned. The study of lyricism-the expression of individual emotion by ancients, the use of pouring ceremony and the promotion to lyricism by the scene set can offer a new pointcut for the comparative analysis of the two plays in a certain extent.
出处
《长治学院学报》
2014年第1期80-83,共4页
Journal of Changzhi University
关键词
《梧桐雨》
《汉宫秋》
抒情性
倾泻式
景物设置
Rain on the Plane Trees
Autumn in the Han Palace
lyricism
pouring ceremony
the scene set