中国戏曲导演学在近代的发展初探——谈齐如山与梅兰芳

A Study on the Development of Directing of Modern Chinese Operas

齐如山是近代的一位学者型导演;梅兰芳是在本世纪20-30年代逐步获得中、外共认的表演艺术大师。齐、梅合作,创造出“梅派古装新戏”的京剧舞台演出新风格。本文试图以中国戏曲导演学在近代的发展为视角,从他们的各自意向、相互寻找、邂逅相遇、投石问路,论证“梅派”的酝酿和发端,从而探索出中国戏曲导演学在近代发展之初,齐如山与梅兰芳对于古典戏曲导演学新的复兴所付出的努力和取得的成功经验。

Qi Ru-Shang was an outstanding director in modern time while Mei Lan-Fang was gradually recognized as a master actor during the twenties and the thirties. They two jointly created a new style of 'New Operas Played in Classic Costumes'. The author bases his research on the development of the directing of modern Chinese operas, analyses Qi and Mei's respective ideals, their unexpected meetings theatrical and demonstrates the formation and development of the 'Mei' Style. The article, therefore, shows the development of the modern Chinese operas, the experience in and contribution to the renaissance of the classic operas.