摘要
本文论述了新浪漫主义戏剧思潮自世纪初以来在中国的影响及其衍变。新浪漫主义在20年代中国剧坛形成热潮,其中尤以象征主义、表现主义和唯美主义为甚。本文试图论述新浪漫主义在中国戏剧家眼中的主要内涵究竟是什么?中国戏剧家对新浪漫主义为何会如此青眯?中国戏剧家怎样看待和汲取新浪漫主义?我们又该如何理解30年代以后新浪漫主义在中国的渐趋衰微?
The article discusses the influence of neo-romaticism on Chinese drama and its changes since the turn of the century. Neo-romanticism reached its climax in Chinese drama druing '20s, especially symbolism, expressionism and aestheticism. The article tries to discuss what is the essence of neo-romanticism in the eyes of Chinese dramatists,why they are so fascinated by it, how they treat and learn from it and how we should understand the ebb of neo-romant-icism in China after '30s.
出处
《戏剧艺术》
CSSCI
北大核心
1994年第3期69-76,共8页
Theatre Arts
