摘要
《文心雕龙·辨骚》可以折射出"辨"与"变"两个方面的问题,立足于"辨"可以看到多元文化立场的交织、角力和转化,立足于"变"可以看到楚辞代表的新变特征与新变的美学理论提升。对于文化之"辨"与美学之"变"的关系阐释,二者在比较意义上是因果逻辑和相互影响的关系,而在历史演进上看,二者的相互交织和交互影响形成了复杂的发展演化脉络。
Distinguishing and changing are two perspectives which can be reflected on Biansao of Wenxindiaolong. Intertexture,competition and conversion between different culture position can be seen,In the perspective of Distinguishing. While In the perspective of changing,Chuci's new features and the progress of relevant aesthetic theory can be pointed out. The relationship between distinguishing of culture and changing of aesthetic theory is very complex. In terms of comparison,they interact with each other. In terms of historical evolution,they interweave with each other. Based on this,distinguishing and changing formed a kind of complex development situation.
出处
《中山大学研究生学刊（社会科学版）》
2014年第1期137-143,共7页
Journal of the Graduates Sun YAT-SEN University(Social Sciences)
关键词
文化之“辨”
美学之“变”
文心雕龙
辨骚
distinguishing of culture
changing of aesthetic theory
interweave
development
