摘要
主体建构是现代社会孕育过程的一个重要方面和指标,主体性对于置身前现代社会和尚处现代社会转型进程中的中国人而言,并非不言自明的人性本能和天赋权利,而呈现主体建构和自我救赎的困境,"程式化"是主体表达困境的主要形式,王小波对这一阐释和表演体系的"程式化"传统进行了深入反思和批判,并致力于突破此一禁锢的文本试验和实践,在现实人生和文学想象两方面践行对传统的解构和翻转,从而最大限度地实现了自我建构和自我救赎的理想。
The subjectivity construction in the development of the modern society is an important aspect and index. As to the Chinese people,in the process of modern transformation of society,subjectivity is not the self- evident human nature or natural right. Subjectivity presents the dilemma of subjectivity construction and self redemption,and'stylization'is the main form of expressive dilemma of subjectivity. Wang Xiaobo makes an in- depth criticism and reflection on the'stylization'tradition of interpretation and performance system,and he is committed to text experiments and practices to make a breakthrough in this field as well. In order to realize the self- construction and the ideal self redemption,Wang Xiaobo makes efforts to deconstruct the tradition from the perspectives of real life and literary imagination.
出处
《上海师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2014年第2期59-67,共9页
Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)
关键词
主体建构
程式化
反程式化
表演体系
王小波
subjectivity construction,stylization,anti-stylization,performance system,Wang Xiaobo