摘要
“比兴”不仅是中国诗歌独特的表现方法,而且更是中国诗学一种独特的思维方式,因此它可以作为描述中国诗学意义生成模式的基点。“比兴”意义的生成乃以它所具有的两个意义场之间的二元关系为出发点,通过“取类”、“取象”的方式实现的;两个意义场之间的张力互动在追求意义生成的动态性的同时实现了意义生成的丰富性。
AbstractThis paper attempts to view the question of the 'meaning-production' mode of Chinese poetics from one of its core concepts:'bi-xing.' The paper argues that, starting from the concept of 'bi-xing,' which associates the known with the unknown, the speakable with the unspeakable, the definite words with the indefinite implications, we can further investigate the relationship between the inner mind and the outer workd, the subjective feelings and the objective items, which has always been an important topic of Chinese poetics. 'Bi-xing,' therefore, can be viewed as the conceptual basis and starting point of the dynamic 'meaning-production' mode of Chinese poetics.
出处
《北京大学学报(哲学社会科学版)》
CSSCI
北大核心
1996年第6期88-93,128,共7页
Journal of Peking University(Philosophy and Social Sciences)