摘要
本文借用荣格的集体无意识和影子原型的理论,从一个新的视角解读了一组《聊斋志异》的故事,以此展示心理批评的特点:这种方法要求读者将每个故事(包括一切重要的细节)作为一个有机的整体,即一个心理变化的过程来看待。通过对这个过程的分析,揭示一些在《聊斋志异》中重复出现的意象、母题、主题、深层结构和有意思的语言现象。
Drawing upon the Jungian theory of the collective unconscious and the shadow archetype,this paper provides a reading of a group of stories in Liao Zhai Zhi Yi by Pu Songling from a new angle, thus revealing the characteristics of psychological criticism. This critical approach requires readers to regard every story (including all important details) as an organic whole, i. e. , a process of psychological change. Through an analysis of the process, this paper reveals some images,themes, leitmotifs, deep structures and interesting language phenomena which recur in this collection of short stories.
出处
《北京大学学报(哲学社会科学版)》
CSSCI
北大核心
1996年第5期101-107,127,共8页
Journal of Peking University(Philosophy and Social Sciences)