黄佐临与布莱希特

Huang Zuolin and Brecht

文章论述了佐临“写意戏剧观”的形成与布莱希特戏剧体系的关系。先对佐临在中国介绍布氏戏剧观和演剧方法进行回顾,进而评述佐临在我国执导布氏两部剧作的得失与经验。阐述布莱希特戏剧理论和演剧方法对佐临戏剧观发生影响的诸多因素,指明佐临是在中国民族文化与美学传统的基础上,借鉴吸纳布氏体系的合理内核,而构建他的“写意戏剧观”。

The article discusses the relationship between the formation of Zuolin's 'Xieyi Theatrical Concept' and Brecht's theatrical system. It first recalls the introduction of Brecht by Zuolin into China with Brechtian theatrical ideas and performing techniques. Then it comments on the two Brecht plays directed by Zuolin. It points out the influence of Brechtian theory and performing techniques on Zuolin who has then derived what is most significant from Chinese traditional culture and aestheticism and what is useful from Brechtian system, thus establishing his own'Xieyi Theatrical Concept'.