“玩”的解构和戏剧的文化学分析——以“侃涮风格”电视剧为例的论述

An Analysis of the Composition of Games & of the Theatre Culture

本文在现代艺术及戏剧的“玩世风格”大背景中,着重以1994年前后我国一批“侃涮风格”的电视“玩”剧及相关的“痞子文学”式的脚本、与“玩××”的创作架式为分析个案,对戏剧,尤其现代戏剧中的“玩”的问题与这类剧作中的“玩”进行分析,并以较大篇幅对这种与现代戏剧“玩世风格”不一样的畸特状态,进行社会文化原因和创作心态上的解构,指出其在创新和探索过程中的稚僵特征及其成因。

This article , taking quite a few TV plays with a 'chatting and teasing style' taken around the year of 1994, its corresponding scripts similar to 'riffraff literature' in style and the creative method of 'juggling with life' for example, makes a deep analysis of the present-day status of 'playing with…' in the field of theatre, especially of the modern theatre , and meanwhile, makes a profound dissection of the abnormal state different from that in modern drama with a 'cynical style' in both the social and cultural cause of its formation and the authors' psychology when creating,and points out the naive and rigid features in the process of its originality and exploration and the cause of its coming into existence.