摘要
此次专题承接第10期上海当代艺术博览会讲座系列,继续发表来自古奥德莫克·美迪那,玛莎·罗斯勒,卢迎华,彦·沃尔沃特以及汉斯·乌尔里希·奥布里斯特四位批评家的文章。四篇文章分别从不同的侧面继续了关于"当代性"的讨论。古奥德莫克·美迪那以论纲的形式,从不同方面列举了当代艺术发展中的十一个特性;玛莎·罗斯勒以美国当代艺术发展的状况为例,探讨了当代艺术何以仍然具有政治批判性及社会批判性;而卢迎华则从回顾关于中国当代艺术本土化的讨论出发,特别引用了栗宪庭与费大为的通信,表达了对于中国当代艺术在未来的发展中必须确立自身原则,积极主动的诉求;彦·沃尔沃特则以某种类似自白的方式,略带意识流的手法表达了自己关于当代的惶然与期待;汉斯·奥布里斯特用独特的碎片形式,向我们展示了他近期关于创新及双/三年展的思考。
This section continues No.10 issue to publish four articles of lecture series of Shcontemporary.They are from Cuauhtemoc Medina,Martha Rosler,Carol Yinghua Lu and Jan Verwoert.This four articles continue discussing about contemporaneity from different aspects, Cuauhtemoc Medina enumerates 11 characters of the contemporary art in the form of thesis.Martha Rosler explores how? political and sociocritical art could still survive through the case of the development of American contemporary art.Carol Yinghua Lu argues that it's not international attention that will salvages the Chinese contemporary art, but its self-discipline and critical engagement with its own practice and thinking;Jan Verwoert expresses a sort of disquiet and the expectation on the contemporaneity in a kind of confessional way,somehow like a stream of consciousness.Hans Ulrich Obrist use some segments to show us his recent thinking on innovation and biennale and triennale.(editorial departmen)
出处
《当代艺术与投资》
2009年第11期6-27,共22页
Contemporary Art & Investment
