摘要
明清美学是中国美学之集大成者,是中华古典美学的最后一次高峰。这一时期文化最突出的成就是小说创作。《红楼梦》则正是这一片丰美土地上滋生出来的一朵文学奇葩,它在小说构建上可能受到了《金瓶梅》的影响,但在美学思想方面则更多看到的是明清美学家,尤其是李渔的绰绰身影。
Aesthetics in the Ming and Qing Dynasty was the last peak of Chinese classical aesthetics. The outstanding achievement at that period was the novel creation. The story of the stone was a literary strange flower at that time which was influenced by the plum in the golden vase in structure, while LI Yu's life aesthetics had made great effect on its aesthetic thought.
出处
《吉林工程技术师范学院学报》
2003年第8期32-36,共5页
Journal of Jilin Engineering Normal University
关键词
李渔
《闲情偶寄》
《红楼梦》
生活美学
<Keyword>LI Yu
sketches of idle pleasure
the story of the stone
life aesthetics