所谓具象

So-called concretization

具象的概念或者说含义是相对于抽象而言的,其手段即是具体地运用自然与生活中的真实物象而创作的,借自然之形繁殖、扩充视觉的含义,从而剥离出一个更加清晰的形象世界。 纵观人类艺术发展的历史,具象的方式一直处于统治地位。具象雕塑的渊源是随着人类漫长历史的而流淌的,人类的每一次认识的进步都会对艺术的方式、手段产生影响,如小船随着海浪的起伏而起伏一样渐行渐远。每个时期风格的演变、手段的运用。

The concept or implication of concretization is opposed to that of abstract, i.e., to perform creative work based on the real image in the nature and life, to expand the visual connotation of the natural image, and in doing so, to get a clearer image world. In the development of art, the expression means of concretization has long been in the leading position. Along with the development of human civilization, the expression means changesi'each progress made in the knowledge field has exerted influence on the form and means of concretization. The style evolution and means exercise of each period has witnessed the hard exploration in the image delivering waged by human kind. The development of modern science and technology especially has brought to human kind a new way to observe the world, which provides the possibility describing a certain object in detail in more diversified ways.