摘要
在当代艺术情境中,雕塑艺术的路到底该如何走。它的确是处在一个两难的境地。依照“前卫”的创作方式,则应是不计手段,甚至不择手段的。如此方可穷尽其壮志雄心,怎能顾及它是否为“雕塑艺术”;另一方面,果真如此,那么它跟雕塑自身的发展则完全没有了关系。因为它已经不再是雕塑了,这时“雕塑语言”难到真成了当代雕塑艺术家创造力张扬的最大枷锁了吗?这岂是个悖论。
in the artistic circumstances of the present age, how should the road be walked for sculptors? It is a difficult choice According to the 'Avant guard' ideas, one should be disregarding the means even unscrupulously do whatsoever to unlash his great aspirations, great ambitions, and not care for whether or not it is 'sculptural art' On the other hand, :f really so, it has completely no relations with the developments of sculpture art, and at this moment, 'sculptural language' has really become the biggest fetters for the contemporary sculptors to exercise that creative power? Isn't that an absurdity?
出处
《湖北美术学院学报》
2002年第4期6-7,共2页
Hubei Institute of fine Arts Journal
关键词
“非雕塑化倾向”
“雕塑语言的当代价值”
non-sculptural tendency' and 'the contemporary value of sculptural language
