摘要
中国传统给画的空间表现,追求一种空间印象,重主观 求本质 讲感知。既然是主观的知觉经验判断 固然存在着知觉的差异性与不同的组合性。但其表现内容及空间处理办法又存着客观性的特性,这种客观性是以人类共有的知觉恒常性和知觉补偿性作基石的。
the spatial presentation of traditional Chinese paintings pursues a spatial impression, which is subjective and perceptual. The subjective judgment of perceptual experience has its otherness and different combinations. But the presentation and spatial rendering have their objective qualities, which is based on the innate perceptual constancy and retrievability of human mind.
出处
《湖北美术学院学报》
2002年第4期26-27,共2页
Hubei Institute of fine Arts Journal
关键词
传统
中国画
知觉
主观性
客观性
tradition, Chinese painting, perception, subjectivity, and objectivity.
