摘要
“形似”是视觉艺术表达的基本形式语言,没有“形似”,艺术家也就失去了其思想意识、精神内容赖以寄托和传示与人的基本载体。本文通过对中国画中两种对“形似”的不同态度的分析,说明了“形似”在绘画创作中的重要性及不同的存在状态。
likeness in form or appearance' is the basic language form of art expression, without it an artist has no means to express himself. Though analyzing two different 'likeness in form or appearance' in traditional Chinese paintings, this text explains its importance in art making and the different states of its existences.
出处
《湖北美术学院学报》
2002年第1期10-11,共2页
Hubei Institute of fine Arts Journal
关键词
“形似”
造型
传神
likeness in form or appearance', modeling, and vividness
