谈所谓“××现象”及“郭沫若现象”的“偏至”——纪念郭沫若诞辰110周年

On "Prejudice" of the So - Called "×× Phenomenon" and "Guo Moruo's Phenomenon" Commemorating His 110th Birthday of Mr Cuo Moruo

80年代出现的所谓“思想进步,艺术退步”是现当代文学发展中带有“偏至”性的“普遍化現象”的批评,是一种“偏至”批评。对被指责的所谓“老舍现象”、“茅盾现象”有其片面性。对被重点指责的所谓“郭沫若现象”,作者认为应根据广义的“诗学”原则认识郭沫若创作发展,他不仅在初期以诗歌《女神》显示出文学“高峰”地位,而且在中后期又以历史剧显示出文学“高峰”地位。对其中后期诗歌也应实事求是评价。

The so-called 'ideological progress and artistic reterogress' presented in the eighties is the criticism with 'universal phenomenon' of 'prejudice' in the development of the contemporary literature. As to the censure of the so - called 'Lao She's phenomenon' and 'Mao Dun' s phenomenon', there is one - sidedness. As to the serious censure of the so- called 'Guo Moruo's phenomenon', the author thinks that we should recognize his creating development according to the principles of 'poetics' in a broad sense. He not only has showed the 'height' position of literature with his Goddess, one of his poems and songs in the early days, but also showed the 'height' position with his historical plays in the mid- later period. His poems and songs in the mid - later period should be appraised with seeking truth from facts.