摘要
20世纪90年代学术界《离骚》意象美的探索,主要表现在对“花草”、“男女”、“媒鸟”、半神性心灵归依型人物、神话等意象系列的研究上。对过去十年《离骚》意象美的研究情况加以梳理和评述,并探析《离骚》意象的生成机制。
In the 1990s, the research of image perfection of Li Sao by academia was mainly focused on flowers and grass, men and women, call birds, semi - deity soul grace characters, mythology etc. Analyzing the research of the past decade, the author concludes the creative mechanism of Li Sao.
出处
《贵阳学院学报（自然科学版）》
2002年第3期26-29,39,共5页
Journal of Guiyang University：Natural Sciences
