摘要
作为写作主体的时空观念,在诗歌作品中的存在形式是多层次、多侧面的立体状的。而且,它不是恒量而是变量,贯穿于整个诗歌创作的历史长河之中。从时空的角度观照诗歌的创作和研究,并以此渗入到创作主体的情感深处和审美思考的底蕴当中,具有理论和实践的双重意义。
Being the creation subject, the conception of time and space is three - dimensional in poetry. Moreover, it is not constant but vriable, and it goes through the whole poetry and its research. It seeps into creation subject and aesthetic thinking and possesses double meanings- thoretic and practical.
出处
《贵阳学院学报(自然科学版)》
2002年第3期36-39,共4页
Journal of Guiyang University:Natural Sciences
关键词
创作主体
时间
空间
向量
creation subject, time, space, vector.