破碎时空中的异乡人——王家卫电影的现代主义风格

Outsider in the Fragmentary Time and Space——The Modernistic Style of Wong kar-wai's Films

本文主要从思想意味方面评析了王家卫电影中流露出来的浓重的现代主义气息,以现代主义的理论观点来解读王家卫电影的人物处境,将其置于失去家园的异乡人角度分析,从而寻找王家卫电影的一种吸引观众的氛围。

Wong kar-wai's films express the thinking of the modern existence and their style is modernistic. The characters in his films are outsiders who lost their hometowns. The reason why modem people like his films is that they have much sympathy with the characters in his films.