摘要
现代哲学解释学的主要观点是强调对象意义的历史性和相对性,无疑这种理论对艺术作品的理解在认识上达到了深化,尤其是在音乐作品的研究中。本文从现代哲学解释学的角度出发,剖析了音乐作品两个最本质的特征——音乐的情感性和非语言性。
From the point of view of modern philosophical hermeneutics, the historical meaning and relativity of a target are essential. Undoubtedly, the theory reinforces the comprehension of artistic works, especially in the research of musical works. The thesis analyses the essence of the characteristics - musical emotionalism and non-verbal communication.
关键词
解释学
音乐作品
情感体验
非语言性
hermeneutics musical works emotional expedence non-verbal communication