摘要
1990年代与世纪之交都是被感性所统治的,并且是流行文化大行其道的年代。这时的设计已经完全处于后现代主义之中了,因而缺少了后现代最初出现时的对抗性,设计界以及他们的观众已经很大程度地接受了这种追求多变的视觉语言,而这时的设计师则在混乱与无序中走得更远。新世纪的到来,人们在期待一种更新的视觉语言,希望能够带来就像后现代设计语言最初带给人们的同样的惊喜,因而使得这个时代忽略了意义而将更大的精力投入对视觉多样性的探索。
The age was flourish perception and popular culture around the year of 1990-2000. The time's design has been in Post Modemism. The circles of design has basically accept this design language, meanwhile designers exaggerate further this confused language. New century is coming, people look forward to a new visual language, as a result, the time neglect meaning and put more energy into explorations about form.
