摘要
Shang yang is a highly representative painter in the contemporary Chinese oil painting circle. In the past few decades, his painting style has changed several times; he abandoned his successful original style and familiar subjects when he turned from realism to abstraction. In the two pieces shown here, the people of the Loess Plateau are depicted as existing as an integral whole with nature, mutually inside and outside of it. Beholden to some techniques from traditional Chinese painting
