摘要
戴表元是元代初期的著名诗人与诗论家,在宋元文学转型中起了重要作用。他的诗论有广泛而深远的影响。戴表元提倡“宗唐”,力求摆脱宋诗对元诗的笼罩。对于方回的复兴江西诗风,戴表元是大不以为然、予以批驳的。他以“神”为诗的最高境界,并以唐诗为其典范。在诗学理论上,他不是重复前人的说法,而是以一些生动形象的妙喻来表述具有自己独特体验的诗学命题。
Dai Biaoyuan, a famous poet and theorist on poetry in the early years of the Yuan Dynasty, played an important part in the transformation of style of literature in the Song and Yuan Dynasties. His theory on poetry was widespread and had profound influence. He advocated “ following Tang ”, trying to get rid of the influence of the Song poetry on the Yuan poetry. He did not agree with and criticised Fang Hui who was for restoring the Jiangsi style of poetry, He regarded “ spirit” as the supreme level of poetry, and took Tang poetry as a model.He expressed his own thoughts and theories with vivid metaphors rather than repeat in theory on poetry what his forerunners had said.
出处
《内蒙古师范大学学报(哲学社会科学版)》
1998年第3期51-56,共6页
Journal of Inner Mongolia Normal University:Philosophy and Social Sciences Edition
关键词
戴表元
宋元文学转型
宗唐复古
Dai Biaoyuan transformation of style of literature from the Song to the Yuan Dynastiy following the Tang poetry and restoring the ancient