摘要
《诗经》具备一种较强烈的抒情精神，并因而奠定了中国抒情诗的基础及其以抒情为主的中国诗歌的基本美学风格。它以赋、比、兴三种艺术表现手法为核心，涵蕴并表现出以形象表达情感的民族审美材征。《诗经》的主体抒情风格主要表现为率真与婉曲、谐趣与严正、刚与柔等诸种美学范式。其抒情手法的多样性，充分展现了它固有的抒情境界的缤纷繁富之美。
The Book of Songs is full of Iyrical fervour, thus laying the foundation for the Chinese lyric po-etry and establishing the aesthetic style of the Chinese potry which is mainly charaterized by expressing emo-tions. Poetic naration, analogy and association is the core of the style while expressing emotions implicitlyand figuratively is its main national aesthetic feature. The essential Iyrical style of The Book of Songs finds itsexpressions in such aesthecie forms as being forthright and sincere, mild and roundabout, humourous andwitty, soliemn and serious, and tough and tender. And the many ways of expresing emotions show the inher-ent lyrical beauty of The Book of Songs.
出处
《内蒙古师范大学学报（哲学社会科学版）》
1997年第3期90-97,共8页
Journal of Inner Mongolia Normal University：Philosophy and Social Sciences Edition
关键词
抒情精神
诗经审美
美学范式
Iyrical fervour aesthetics The Book of Songs aesthetic norm
