论“五四”文学传统的内质与张力兼论鲁迅传统的断裂

The Nature and Tension of Literary Tradition of the May 4th Movement

“五四”是中国新文学走向自觉而独立的时期．在“五四”文学传统中，文学成为超越一切价值形态的存在。因而解决文学的归属问题和发展方向及描写内容成为这一传统的基本内核。而且某种重理论设计，重译介而轻创作，重写实主义等传统不仅制约了当时的创作，而且影响着日后中国文学的发展，表现出极强功利性，而忽视审美功能。在这种氛围中，鲁迅传统的独特价值和其最终断裂，为中国文学留下了许多值得思考的问题。

Abstract In the literary tradition of the May 4th Movement, literarture becomes an existance that transcends the form of value. A certain tradition that pays great attention to the theoretical scheme, translation and realism but neglects the creation not only restricts the creation then, but also effects the later development of Chinese literature. A unique value of Lu Xun's tradition and its final breakup in that atmosphere have left Chinese literature a lot of questions worth thinking about.