摘要
在雨果《巴黎圣母院》《悲惨世界》《九三年》三部重要小说中的三个神父形象──克洛德、卞福汝、西穆尔登,均有不同的人道主义内涵。本文揭示了这三个神父形象所体现的雨果人道主义思想的不同层面,及其某些特征和思想发展轨迹。
In this paper are revealed the different implications -to be exact,three differant levels-of Hugo's humanitarianism incarnated in the images of three priests created by Hugo respectively in three of his important novels, namely, Claude Frolic in Noire-Dame de Paris (The Hunchback of Noire Dame), Myriel in Les Miserables, and Cimourdain in Quatrevingh -treize (Ninety-three). Also, some of the characteristic features of Hugo's humanitarianism as well as the track of its ideological development are studied.
出处
《汕头大学学报(人文社会科学版)》
1994年第1期39-46,共8页
Journal of Shantou University(Humanities and Social Sciences Edition)
关键词
雨果
神父
人道主义
Hugo, priest, humanitarianism