摘要
新中国成立以来,在南方先后发现了九座唐代壁画墓。它们是:湖北安陆杨氏墓;湖北郧县李泰墓、李徽墓、阎婉墓、李欣墓;四川万县冉仁才夫妇合葬墓;广东韶关张九龄墓;浙江临安钱宽墓、水邱氏墓。这九座墓早已引起人们的注意。各墓的简报或报告多对所报道墓的有关问题进行了简要的考证和论述;有的还就某一地点发现的资料中的某个问题展开了讨论。本文在前人研究基础上。
Author analyses the grave was buriedon time, the dead identity, the grave shape type, the fresco distribution and its contents, the ware type and its contents with grave for company according to the data of nine Tang Dynasty fresco graves from southern China. These graves had special background, such as every grave's fresco adopted or imitated centric and northern China method, i. e, Color painting as decorated walls. They were not only adopting centricand northern China method, especially Xi' An region' s method----Tang grave' s popularmethod but also Selected or continued to use local Tang grave popular method. They are a typical culture in combination with centric and northern culture.
出处
《南方文物》
1992年第4期52-68,共17页
Cultural Relics in Southern China