特吕弗的创作与为人被引量：2

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摘要 ▲描写生与死这样严肃的事情令我感到惭愧。再者,特吕弗比我年轻,我从未想到过能在他逝世时谈论他。相反,我想的倒是当我死后,他将怎样说我?促使我要这样尝试一下的唯一原因,是我不知道还有什么别的方式可以向他表达我的敬意。

作者埃.罗麦尔安志罗.波兰斯基让.莫罗卡.德诺芙

出处《世界电影》北大核心 1991年第4期245-255,共11页 World Cinema

关键词特吕弗电影史夏布罗尔里维特巴赞我不知道罗西里尼四百下布莱松电影手册

同被引文献37

1D.波德威尔,麦永雄.当代电影研究与宏大理论的嬗变(上)[J].世界电影,2001(2):4-21. 被引量：6
2James Naremore,"Authorhsip", in A Companion to Film Theory, edited by Toby Miller and Robert Slam, Oxford: Blackwell, 2004, p. 17.
3Andrew Sarris,"Auteurism is Alive and Well and Living in Argentina", Film Comment, Vol.26, No. 1 (1990), p. 19.
4Timothy Corrigan,"Auteurs and the New Hollywood", in Film Theory: Critical Concepts in Media and Cultural Studies, Vol.2, edited by Philip Simpson, Andrew Utterson and K. J. Shepherdson, London: Routledge, 2004, p.82.
5Donald E. Staples,"The Auteur Theory Reexamined", in Cinema Journal, Vol. 6 (1966-1967), p.1.
6James Naremore,"Authorhsip", in A Companion to Film Theory, edited by Toby Miller and Robert Stam, Oxford: Blackwell, 2004, p. 11.
7Robert Stare, Reflexivity in Film and Literature: From Don Quixote to Jean-Luc Godard, New York: Columbia University Press, 1992, p. 19.
8Francois Truffaut,"A Certain Tendency of the French Cinema", in Movies and Methods, Vol. 1, edited by Bill Nichols, Berkeley: University of California Press, 1976, p.224-237.
9Donald E. Staples,"The Auteur Theory Reexamined", in Cinema Journal, Vol. 6 (1966-1967), p.2-3.
10David Bordwell and Kristin Thompson, Film Art: An Introduction, Boston: McGraw Hill, 2008, p.461.

世界电影

1991年第4期

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