元代道教卷轴人物画和杂画考略

In the Yuan Dynasty Taoist scroll figure painting and miscellaneous painting

元代文人画大兴,文人画家多通过画山水画来寄托对故国的眷恋,抒写郁闷不平的胸臆,追求笔情墨趣,故道释人物画比前代更少。少数善画道释人物画的画家也多以水墨或白描手法作画,以重笔墨之趣,不似前人注意庄严肃穆的形象。由于元代许多不满异族统治的知识分子遁入佛道教,尤其全真道教的兴起,成为部分知识分子躲避战乱,寻求精神安慰的出路。所以元代善画的道士非常多,上至天师,下至一般道士,有记载的就不下四十人,其中有些人是元代,也是中国美术史上有杰出成就的画家。

Literati paintings in Yuan dynasty is prosperous, literati painters through the landscape painting to the sustenance of their attachment, to express depressed uneven heart, pursue interest ink pen, Taoist scroll figure painting is less than prior generations. A little Taoism and Buddhism figure painting painter mostly in ink or line drawing painting, with heavy ink interest, not like the previous note solemn image. Because of the many grievances of foreign domination of intellectuals into Buddhism and Taoism, especially the rising of Quanzhen Taoism, become part of intellectuals to escape the war,seek spiritual consolation way. So many monks in Yuan Dynasty was good at painting, recorded not just forty people, some of them is in the Yuan Dynasty,also has outstanding achievements in the history of Chinese art painter.