日本古代戏剧中的渎父情结——以十八世纪流行剧目《夏祭浪花鉴》为中心

The blaspheme father complex in ancient Japanese drama——The popular repertoire "Xiajilanghuajian" in eighteenth century as the center

随着江户时代市民阶层的兴起,市民文化出现了前所未有的繁荣景象,最具有代表性的大众文艺便是人形净琉璃和歌舞伎。看戏成为当时人们生活中不可缺少的娱乐形式。歌舞伎更是独领风骚,不仅引导着人们的价值观念,而且是年轻人时尚的风向标。一方面将朱子学奉为官学的日本政府大力宣扬忠孝,而另一方面,宣扬人性解放的阳明学以及更为激进的阳明学左派的影响下,十八世纪的日本也出现了肯定"情"与"欲"的人性解放思潮。

Along with the rise of the public sectors of the Edo period, the public culture in a hitherto unknown prosperity, the most representative of the popular literature is Bunraku and kabuki. The theatre became the essential form of entertainment. Kabuki is a superpower, not only guide people's concept of value, but also is the fashionable vane of young. On the one hand, Zhu Zixue became the official study of Japanese government vigorously preached loyalty and filial piety, but on the other hand, promote the emancipation of human nature of Yang Mingxue and the more radical left Yangming, Japan in eighteenth Century also appeared human emancipation of certain"emotion"and"desire".