摘要
封建时期的美术教育形式主要是师承式的个人教育和皇家教育,这两种教育模式在唐代得到了空前的发展,并涌现出了大批的知名画家、书法家,流传下来大量的优秀美术作品。师徒传承既是民间画家传授绘画技艺的基本模式,也是文家传授绘画技艺的基本模式。唐代美术教育中的师生关系、主体性与创新能力的培养、理论素养的培养和提高等方面,对当今艺术教育具有积极的意义。
The art education form in the feudal period is mainly personal education and royal education, these two kinds of mode of education has been an unprecedented development in the Tang Dynasty, and emerge a large number of well-known painters, calligraphers, handed down a large number of outstanding works of art. The basic pattern of apprenticeship is a folk artist to teach painting skills, basic mode is also to teach painting skills. The teacher-student relationship in Tang Dynasty art education, subjectivity and creativity, training and improvement of theoretical literacy, has the positive significance to the contemporary art education.
出处
《佳木斯教育学院学报》
2013年第3期45-46,共2页
Journal of Jiamusi Education Institute
关键词
师徒传承
教学模式
教育
发展
apprenticeship inheritance
teaching mode
education
development