摘要
《暗恋桃花源》的戏剧性审美效果可以概括为"带泪的谑笑",之所以产生这样的审美效果不是因为陌生化,还因为编剧和导演赖声川有意突破悲剧、喜剧的界限,运用解构的手法揭示出人生本质的虚无,通过忘我的净化消解悲喜,达到对人生的参悟。
The theatrical aesthetic effect of“The Peach Blossom Land”can be called "take tears of laugh and tease". The aesthetic effect comes not only from defamiliarization but also from breaking the boundaries of tragedy and comedy deliberately by writer and director Lai Shengchuan. He used the mothed of deconstruction to reveal the nihility of essence of life . He also cleared up tragicomic through carried purification , finally got meditation our life .
出处
《佳木斯教育学院学报》
2013年第3期55-55,57,共2页
Journal of Jiamusi Education Institute
基金
天水师院校级课题:"‘戏剧性’生成研究"阶段性成果
关键词
《暗恋桃花源》
悲喜互掺
审美效果
the Peach Blossom Land
blend tragedy with comedy
the aesthetic effect
