文人拟乐府与汉乐府之异同初探——以汉乐府民歌《饮马长城窟行》及陈琳拟作为例

On similarities and differences between literati Ni Yuefu and imitating Yuefu in Han Dynasty——Taking Han Yuefu folk songs "water at the Great Wall" and Chen Lin intended as Example

汉乐府民歌是我国文学百花园中的一朵奇葩,其形式多是以叙事为主的。它是我国古典诗歌中五言体、杂言体的直接源头。文人拟乐府诗创作从东汉时开始繁盛,到魏晋南北朝时期已经成为文人抒情言志的一个重要载体,之后历代文人多有创作。以致文人拟乐府诗歌创作成为我国诗歌史上的一个普遍现象。文人拟乐府对汉乐府民歌的继承点在哪里?又有哪些突破与创新?本文以汉乐府民歌《饮马长城窟行》及陈琳拟作为例,试图做一番粗浅的探讨。

Yuefu in Han Dynasty is a wonderful work of art garden in China, its form is a narrative. It is the ancient Chinese classical poem body, miscellaneous directly from the speech. Literati Ni Yuefu poem creation begins from the Eastern Han Dynasty, to have become an important carrier of literati lyrical in the southern and Northern Dynasties period, after many scholars creation. That scholar Yuefu poetry creation to become a common phenomenon in the history of Chinese poetry. Where is Literati to the Yuefu folk songs inheritance? What are the breakthrough and innovation? In this paper ,take Yuefu songs in the Han Dynasty " water at the Great Wall" and Chenlin intended as example, tries to make a shallow discussion.