摘要
在赋体研究上,学界一直致力于对它的起源、分类及其功能的探讨,其中对于汉赋特别是汉大赋功能的认识存在较大的分歧。文章基于汉人赋颂并称这一事实,通过对汉代社会以及赋家的创作心态的探讨,对汉大赋文体的功能作了相关论述,并揭示出汉代赋颂并称的基本原因是因为其先作为礼乐文化载体的这一文化功能。
In the study of Fu,academic research has been devoted to the origin,classification and function of it,which is especially for its major differences.The paper based on the fact,through the study of the Han Dynasty and the Fu Writers’ mentality,discusses function of Han Fu style,and reveals the basic reason of Han Fu Song and that is because of the cultural work first as a carrier of ritual culture.
出处
《佳木斯教育学院学报》
2013年第6期93-94,共2页
Journal of Jiamusi Education Institute
关键词
赋颂并称
创作心态
大赋
礼乐文化
Fu Song Bing Cheng
creation mentality
Da Fu
Liyue culture