宋惠莲的悲剧:一种身份符号学解读

Song Hui-lian's tragedy:Interpretation of an identity symbol

身份就是人进行社会活动的另一个自我。文学作品中的表意和解释活动依赖于这种集合成符号自我的文本身份。意义表达依赖于文本身份;有准自我品格的复杂体系中的符号自我在自我进行的意义活动中产生。在主我与宾我之间,在过去、现在、将来之间自我随着表意的社会-生理品格作上下或者水平位移。因此,身份是处理意义过程的前提。《金瓶梅》中的宋惠莲是一个社会底层人物,其悲剧因身份压力下自我的变形而产生。宋惠莲本是位自我认同于"物"的异化了的女性个体,但后来她回归了一个有良心和自我人格的女人这样一个文本身份,她的悲剧降临了。她的悲剧的根本在于宋惠莲中途转换了元语言身份,从而引发了一场身份的对垒,但也正因此展现了一个真正的丰富的悲剧人格形象。

Identity is another myself in human social activities. Activity of expression and interpretation of literary works depends on the symbolic text identity of self. Expression of significance depends on the text of identity;the symbolic self in complex system produced in self significance activities. Therefore, the identity is the premise of the meaning. Song Hui-lian in"Jin Ping Mei"is a social bottom character, the tragedy because of self identity and deformation under pressure. Song Hui-lian is the female individual of a self identity in the"alienation", but later she returns with a conscience and personality woman, her tragedy befell. Her tragedy is the that Song Hui-lian converse metal language identity, leading to an identity against, also show a real rich tragic personality image.