多重结构呈现丰富意蕴——“汾阳磕板秧歌”剧本的叙事美学

Narrative Aesthetics of Fenyang Keban Yanko Drama

"汾阳磕板秧歌"是"汾阳地秧歌"的文场部分。在流传过程中形成了不少自主型创作的秧歌剧本。这些剧本大都取材于底层民众最真实的生活,反映他们最真实的情感、思想,表现出浓郁的乡土文学特色。在故事叙述上有直线式叙述、双线式叙述、非故事型叙述;在叙事手法上打破了故事本身的单一结构,并在切割、重组、交叉中完成叙述,表现出民间叙事文本独特的叙事美学价值,使"汾阳磕板秧歌"剧本呈现出较为丰富的意蕴。

Fenyang Keban Yanko is the art part of Fenyang Ground Yanko.Its creative dramas rich in rural culture mainly draw materials of rural life,emotions and ideas.In recounting,they change the single structure of the stories themselves and finished the recount by dividing,reforming and intersecting.There are three common narrating styles:story-narrating in a single line,in double lines and non-story narrating.Not only does this show us special recounting aesthetic value of folk recounting versions,but also it makes Fenyang keban yanko drama appear rich topic connotation.