摘要
杨沫的《青春之歌》在出版后颇受好评,然而仅一年后,由郭开发表的一篇文章引发了对《青春之歌》的讨论。50-60年代学者们普遍从"政治阶级视角"去理解作品,而忽略了文本本身的价值意义;70-80年代,《青春之歌》走出"文革"的冷遇,研究者们将视点放到文本内部进行探讨分析;80年代末-90年代中后期对《青春之歌》的研究出现了前所未有的繁盛气象,分别从女性主义、心里批评、社会文化批评等全新的视角予以丰富开创性的阐释。
After the publication of The Song of Youth , it has been well received . But , one year later , a article wroted by Guokai aroused the debate on The Song of Youth . The scholars in the period from 1950s to 1960s , generally read the works from the aspect of politic , and neglect its own meaning;from 1970s to 1980s , The Song of Youth escaped from the constraint in the Cultural Revolution;from the end of 1980s to the middle of 1990s or later , the research on The Song of Youth became prosperous , and more innovative discussion had been developed from the perspective of feminism , inner critic and social cultural critic .
出处
《齐齐哈尔师范高等专科学校学报》
2013年第6期46-47,57,共3页
Journal of Qiqihar Junior Teachers College