摘要
寓意,艺术创作中独特的抽象思维之一。温克尔曼说过,艺术家应该像诗人一样,通过寓意的图画来描绘形象。艺术之所以能够塑造心灵,甚至表现一个民族的性格,正是因为它通过寓意的符号,表现出一般概念的图画。西方艺术的发展与基督教密不可分,从某种意义上讲,西方艺术史实际上是一部宗教寓意的图解史。欧洲中世纪是艺术图解宗教寓意的典型时期,之后的文艺复兴虽然张扬了人文主义的内涵,反映了俗世的情感生活,但大到艺术构图,小到表现细节都保留着宗教寓意符号。这类艺术作品中出现的宗教符号,反映了西方艺术家特有的文化历史观。
The implicit implication, is one of the unique abstract thinking in artistic creation. Winckelmann said that artists should be describe image though picture, like a poet. Art, through a series of symbol, shapes the character of a nation. The development of Western art is influenced by Christianity, in some ways. The history of Western art is actually a religious moral illustrated history. Renaissance represents the connotation of humanism, but there is still the spirit of Religion existence. Religious symbols in these art, reflect the western artists special cultural and historical view.
出处
《齐鲁师范学院学报》
2013年第6期140-143,共4页
Journal of Qilu Normal University
关键词
文艺复兴
宗教符号
抽象思维
文化寓意
Renaissance
Religious symbols
Abstract thinking
Cultural implication