摘要
倪瓒在为其甥华子文所绘的《云林画谱》中,以图文并茂的形式展示了自己的绘画思想和美学主张,明确地要求画家在山水画创作中应寓"士气"于"画理"之中,重"逸气"而抑俗工之气,做到有理有趣,意法自然。作为一本入门指导性教材,《云林画谱》集中反映了倪瓒的绘画思想。
Nizan showed his interpretation of painting and aesthetics with illustrations and pictures in the textbook of 'Yun Lin Hua Pu' which was used to instruct his nephew. He pointed out that the painter should incorporate 'Shi qi' into 'Hua li' and attach importance to 'Yi qi' instead of vulgar style, so that the creation would accord with law of painting and be peppered with interesting. Undoubtedly, this textbook can be reflected centrally in the painting thoughts of Ni Zan as an introductory guide.
出处
《新疆艺术学院学报》
2013年第4期55-57,共3页
Journal of Xinjiang Arts University
关键词
《云林画谱》
画理
士气
均衡
绘画思想
'Yun Lin Hua Pu'
'Hua li'
'Shi qi'
Equilibrium
Interpretation of painting