方文山歌词语言的符号学解读——以《青花瓷》为例

Semiotic Study on FANG Wen-shan's Lyrics——A Case Study of Qing Hua Ci

现代语言学之父索绪尔(Ferdinand de Saussure,1916)指出语言学是符号学的一部分,语言是一个特殊的符号系统。通过语言学的角度,运用他提出的能指与所指、横组合与纵聚合二元对立的两个重要理论,用图文结合的方式,直观地将歌词与语言学联系起来,对方文山的音乐代表作《青花瓷》的歌词进行符号学方面的初步探讨,论证了能指与所指的非对称关系及能指优势,横组合与纵聚合的分析使听者对歌词有更深层次的了解,也在一定程度上拓宽了符号学理论的实际应用范围。

Ferdinand de Saussure,the father of modern linguistics pointed out(1916)that linguistics,as a special semiotic system,is one part of semiology.This paper tries to analyze one of the representative works of FANG Wen-shan,Qing Hua Ci,from the angle of linguistics through diagrams and words,using the theories of binary opposition,such as signifier and signified,syntagmatic relations and associative relations which were brought forward by Saussure.Through doing this,readers can get a better understanding of the lyrics,and the field of application is broadened as well.