摘要
翻译是原作的"再生",而译作的"再生"则是通过修改和再版实现的。拟用"操纵学派"的理论,从"诗学""意识形态"以及"赞助人"三个方面来研究张谷若《德伯家的苔丝》不同时代的译本,从历史文化的角度揭示文学翻译是如何在不同时代,通过改译来获得再生的。认为五十年代版本所作的修改采用了"欧化"句式,是受到当时"忠实"翻译观的影响;1984年版本的修改采用了古文句式,是译者在当时译坛思潮影响下对"地道翻译"策略的回归和升华。研究旨在说明,决定译作是否享有"再生"机会的,不是译文文字本身的优劣或是对原文的忠实程度,而更多要看它是否能够顺应时代的需要,符合主流的意识形态和诗学的要求。
As translation is the afterlife of the original,revision is the afterlife of translation.Zhang Guruo's translation of Tess of the D'urberville,which was first published seventy two years ago and underwent three revisions,is still porpular today.The revisons coincides with the ups of translation in the past century in China.Some of these revisions are against his original strategy: Idiomatic Translation.This essay focuses on the historical background of these revisions from the perspective of poetics,patronage and idiology proposed by Andre Levefere.
关键词
翻译策略
诗学
意识形态
赞助人
translation strategy
poetics
ideology
patronage
