摘要
晚唐五代词,于香软之中,仍不乏深厚含蕴。韦庄之清丽自然,后主之纯情真挚,直接影响到秦观,使其长于抒情;温庭筠之含蓄蕴籍,冯延巳深婉绵逸,发展为晏殊、欧阳修闲雅清婉、清疏峻洁。秦观在此基础上又形成了自己的清新、婉丽、细贴、深曲,成为标准的婉约词。秦观用柳永长调慢词之铺叙展衍,弥补小令抒情之不足,又用小令之含蓄蕴籍弥补长调之"发露"和"备足无余";注意到苏轼词之多姿多彩,旷达高远,又尽力保持词体的特质特色。蕴籍之中有跳宕。展衍之中控制宣泄。主体意识大大强化,情韵兼胜,辞情相称,秦观把词向文人化更加推进。
Ci poetry written in the late Tang dynasty is gentle and connotative and good at expressing feeling and emotion.Influenced by the natural style of Wei Zhuang and the sincere style of Li Yu,the Ci poetry written by Wen Tingjun and Feng Yangyi are more profoundly meaningful while those by Yan Su and Ou Yangxiu are more elegant,clear,circumambient and concise.Qin Guan creates his own characteristics virtuously and makes his Ci poetry excellently euphemistic.The main idea of his works is greatly reinforced,its sensibility and rhythm are both considered to be more impressive.
出处
《学术问题研究》
2006年第2期59-64,共6页
Academic Research(Integrated Edition)
关键词
秦观
词
艺术论
Qin Guan
Ci poetry
art theory