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古雅的,也是当代的——浙江山水画一瞥

The Antique Is Also Modern——On Zhejiang School of Landscape Painting
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摘要 在我看来,当代浙江山水画家有四个突出的特点:一是重视研究传统,从临摹、收藏、鉴赏多种角度增进对传统的理解与把握;二是重视从绘画与书法两方面强化对笔墨及其格调趣味的修炼;三是重视写生,努力从写生中获得新的感受与创作冲动;四是以扎实的、渐进的方式拓展山水画的风格形式与精神表现,绝不搞没有根底、又大又空的"革新创造"。特别值得一提的是,中国美术学院中青年山水画家在写生方面的探索——他们把捕获新境界与发挥笔墨表现力更有机地结合起来,把山水画的写生提高到了一个新层面。 In my opinion,contemporary landscape painters of Zhejiang school have four prominent characteristics:the first is the study of tradition. Their understanding of tradition is strengthened by copy,collection and appreciation;the second is improving the chirography and pattern by painting and calligraphy;the third is focusing on drawing so as to obtain new feelings and impulse of creation;and the fourth is developing the pattern and spiritual embodiment of landscape painting by avoiding rootless and vain'innovation'.What's worth special mention is the exploration in drawing of young and middle-aged painters of China Academy of Art-They well combine the exploration of new achievement with chirography,thus enhancing landscape painting to a new level.
作者 郎绍君
机构地区 中国艺术研究院
出处 《艺术沙龙》 2007年第2期6-11,共6页

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