摘要
"清空"本是张炎对姜夔词的评价,它和"质实"相对而言,这一评价对苏轼词也十分合适,苏轼词自有一种旷达风格,要旷达就要超脱,要超脱就不能胶著于物,凝滞于物,也就不能对意境、物象、心绪作质实的描写,而必须清空,即空处起步,清处落笔。从某种程度上而言,正是这种"清空"之美,成就了苏轼"坡仙"之姿、"旷达"之态。
'Emptiness'was originally Zhang Yan's evaluation on Jiang Kui's Ci-poetry. Compared with 'Concreteness',this evaluation was rather suitable for evaluating Su shi's Ci-poetry,for Su shi's works had a broad-minded style with unconventional grace. To be unconventional,Ci-peotry was not supposed to be related to concrete objects,artistic conception,images and mind,emptiness had to be used. To some extent,Su shi's achivements were just because of this emptiness..
出处
《白城师范学院学报》
2013年第6期54-57,共4页
Journal of Baicheng Normal University
关键词
苏轼词
“清空”之美
原因探析
Su Shi's Ci-poetry
beauty of emptiness
reason analysis