布依族舞蹈的美学范式研究

Studies on the Aesthetic Paradigm of the Bouyei Dance

美学范式是审美领域中的基本范畴之一,表达的是一个时代背景下相对稳定的、基础性的和共性的精神内核。少数民族艺术作为贡献美学范式宝库的重要成员,其艺术样式的创造性和个性化自然是现代美学研究之必要内容。在此通过西南地区布依族舞蹈的审美特征及其模式的分析,结合美学范式相关理论内涵,对少数民族舞蹈所孕育和面对的一系列美学之内及美学之外的问题予以尝试性解释,继而关注以布依族舞蹈为代表的少数民族美学范式的重构前景。

Aesthetic paradigm,one of the most fundamental concepts of artistic studies,refers to ideas of art that are generally common and relatively enduring in a particular place and during a particular period in history. As a distinctive bonanza of aesthetic paradigms,arts of minority groups are of great significance for the research on modern aesthetics due to their creativity and individuality. Exploring modes and characteristics of the Bouyei dance in Southwest China and examining them through the lens of aesthetic paradigm,this article deals with a series of problems elicited and confronted by minority arts and attempts to discuss the prospect of their reconstruction based on aesthetic paradigms as represented by that of the Bouyei dance.