由杨立青三部胡琴与乐队作品看其管弦化语言的变迁

Changes as Reflected in the Orchestral Language of YANG Liqing's Three Compositions for Erhu Fiddle and Orchestra

胡琴与交响乐队是杨立青先生热衰于创作实践的体裁形式,本文选择作曲家公开出版的三部同类作品为研究对象,总结分析其管弦乐语言变迁的过程与创作经验,探讨作品渗透出的"现代中国之声"的手法与技术。

With YANG's three published works for erhu and orchestra as its research object, the article analyzes the changing techniques of his orchestral language and experiences in composition, in order to interpret how his ' modem Chinese sound' is produced.