通向艺术场域史:一种开放而中立的艺术史书写

The History of Art Field: An Open and Neutral Art History

传统艺术史的书写往往着眼于艺术的创作和发生,而艺术本身的发展却要求一部开放的、普遍的和中立的艺术史。本文拟结合分析美学对艺术的界定,将围绕艺术或者艺术作品的关系元素置于艺术场域的内场和外场,同时联系布尔迪厄对于艺术场域的生成和自主化分析,构想艺术场域史。认为艺术场域史开放了艺术的发端和未来,敞开了各个艺术门类。同时,艺术场域概念的中立性解决了艺术史书写既不便站在当下语境进行价值判断,也无法客观还原历史语境的两难。

As a tradition,art history focuses on the creation and generation of artworks,but the evolution of art requires the writing of its history to be open,neutral and comprehensive. By referring to the definitions of art from the perspective of analytic aesthetics and relating to Bourdieu's theorization of art field and analysis of autonomation,this paper tries to conceive a history of arts field through placing the relational elements concerning art and artworks into the inner and outer art field. The paper maintains that the history of art field may open up the genesis and future as well as the category of the art. Meanwhile,the neutral stance in writing art history can break through the dilemma between having to make value judgments from the present context and being unable to objectively restore the history context.