“至情至性”与“情”本体论——中西比较视野中的文学观念选择

“To Reach the Full Spectrum of Emotions and Human Nature”and the Ontology of“Passion”: Literary Concepts in the Comparative Perspective

胡适、徐志摩、梁实秋、林语堂、闻一多、李金发、朱光潜、梁宗岱、宗白华都曾留学欧美,在中西文化的双向透视与观照之间融汇中西、贯通古今,并不同程度地接受与吸收当时各种先进文学理论思潮。但在他们的文学观念中,中国古典诗学批评倡导的"情"及其本土性与民族性被重新赋予了崭新的现代性与世界性内涵。"情"作为一个变异性呈现的范式,构筑了更具张力的深层表现空间,在文学创作、文学理论与文学批评三个维度上形成了独特的"情"本体论文学观。

The overseas experience of the generation of scholars such as Hu Shi,Liang Shiqiu,Lin Yutang,and Xu Zhimo etc.provided them with the access to and influence from two cultural traditions,but their ideas of literature showed that the idea of'passion'(qing),highly advocated in ancient Chinese poetic criticism and its local and national connotations,was re-invested with modern and worldwide significance. As'passion'formed a paradigm under constant transformation,it constructed a space for expression with more tension. Therefore,a literary concept was formed among them which could be called passion ontological in the three dimensions of literary creation,theory and criticism.